Thursday, December 31, 2009

Green Plow Coffee Roasting: Pat Schmidt on the Podium

You approach the orchestra prepared to lead them in creating beautiful music. Just before you lift the baton, you remember that the oboe player has a chest cold and won't be able to play the long notes like he usually does. In this hall, you recall, the bright sounds are really projected well so you must hold down the brasses, especially the trumpets. And the tympanist has broken up with her boyfriend, and she's going to be back there whomping out the painful beats of her broken heart. Use the softening gesture toward her, but remember to smile too...

It's those variables and how you respond to them that puts your performance either in the "art" category or the "cookie cutter" list.

So it is with roasting coffee. All this time I had lumped the beans with a turkey: you put it in the oven at 325 degrees, did the math and checked on it after the elapsed time and if it looked done, took it out.

Then I watched Pat roast.

So starting with the coffee, where is it from, what experience have you had with it?
Answers to those questions will drive the two principal variables, roasting temperature and time. The gas-driven flame you can see, the clock you can watch, and the beans must be looked at regularly by sliding out a little handled tube, taking a quick, analytical glance, and thrusting them back into the heated fray.

Roast time is 14 minutes, give or take. Pat packs a clipboard and records the temperature every 30 seconds, glancing at the flame, pulling the tube out and observing carefully and quickly, making adjustments to flame and air, and then it's time to record the temp again. The analogy to conducting an orchestra is physically very apt, which leads to a challenge to Brian Johnson: Film this guy and set it to music!

When the beans are done, based on human judgments of their color and the presence of tiny dots of oil (the cheerful deliverers of that exquisite fresh-roasted flavor), they make a steamy entrance into the cooling tray where chaff is blown off from the popping phase (and yes, it sounds a little like popcorn).

The graph is saved. And while it is not as exquisite as Charles Minard's famous chart it will be valuable to Pat, contributing to the consistency of his roasts, in spite of the oboe player and the tympanist.

If you can buy a bag right then, your hands will be warmed all the way home from Green Plow Coffee Roasters on 6th street in Redmond, Oregon.

Thursday, December 10, 2009

Juni, Congenital Hip Dislocation, and Spica Cast

A month short of her first birthday, Juni's parents discovered she had a displaced hip. It happened this way: The sisters were rasslin' and when that ended in loud noises and tears, Joe and Sarah thought perhaps Juni had injured a foot. Off to the Emergency Room for the Right Now X-ray. Good news: Nothing broken. They're on their way out of the hospital, relieved, when the X-ray tech comes up behind them and invites them back in. "I'm seeing something on the X-ray," he said. And there it was. Sarah, whose sister had CHD early on, had noticed the manifestations of this in Juni's crawling, but her concerns and observations had been discounted by the doctor.

The course of action was to relocate the ball of the femur in the socket. And then the spica cast, all under anesthesia. Wikipedia tells us a spica cast is one where there is a smaller cast branching from a larger one; hence, a wrist cast that includes a branch for the thumb would be a spica. There are subspecies of this critter, and what Juni ended up with was a one-and-a-half hip spica. One branch goes to her ankle, and on the other side it stops above the knee.

So that's the medical part. Oh, and three months is the time part, with a remove-and-replace midterm because these li'l ones just grow so fast! The parenting part: Juni was just pulling herself up to walk and this will frustrate her progress! So dad and I are busy designing machines for Juni. Joe came up with a great little table which allows her to sit comfortably--note the legs are splayed out--and do stuff with one year old toys on a tray with a lip so they're less likely to be launched (good in theory). As for our mobility aids? Well we tried, and cleverly at that, but she surprised us all: She developed her own point A to point B techniques, shown here

It's no summer festival for Juni, and it's all new for her sister Lily who is used to a playmate who doesn't tote literal pounds of plaster of paris. And Juni has discovered how, if she gets on her back, she can use sophisticated counterbalancing techniques to get her dorsal side up.

What it is from here: A window on the personality of this wonder-child who is teaching us about perseverance and spirit and acceptance.

Grandma and Grampa are proud of all four in this family.

About five weeks to go at this writing.